Skip to main content

NAVRANG [1959] ( All Time Top 99 Best Hindi Films)



Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical Hetzsongs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini.
As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

NAVRANG Songs
  1. Aa Dil Se Dil Mila Le
  2. Aadha Hai Chandrama Raat aadhi
  3. Are Ja Re Hat Natkhat
  4. Kavi Raja Kavita Ke Ab
  5. Rane De Re
  6. Shyamal Shyamal Baran
  7. Te Mati Sabhi Ke Kahani
  8. Tu Chhupi Hai Kahan , Mein Tadpta yahan
  9. Tum Mere Main Teri


Labels:

Popular posts from this blog

BAIJU BAWRA (1952) (All Time Top 99 Best Hindi Films)

Baiju Bawra is an award-winning 1952 Hindi movie directed by Vijay Bhatt. It stars Bharat Bhushan and Meena Kumari. The movie is based on the legend of Baiju Bawra from the days of Mughal Emperor Akbar in India. Baiju (Bhushan) is the son of a musician who also grows up to be a musician. He comes to believe that Tansen, the famed musician at the court of Akbar, is responsible for his father's death. The movie then follows Baiju's attempt to avenge his father's death by challenging Tansen to a musical duel. The film was both a commercial and critical success and catapulted both its lead actors into stardom. Meena Kumari went on to win the first-ever Filmfare Best Actress Award in 1954, the first of four Best Actress trophies she won in her career. The film's music director, Naushad, also received the inaugural Filmfare Best Music Director Award for the song "Tu Ganga Ki Mauj"; this was Naushad's first and only Filmfare Award win. BAIJU
Read more

PYAASA (1957) (All time Top 99 Best Hindi Films)

Pyaasa (English: The Thirsty) is a 1957 Indian film produced and directed by Guru Dutt. The film tells the story of struggling poet, Vijay (Guru Dutt), trying to make his works known in post-independence India. Gulabo (Waheeda Rehman in her first major leading role in Hindi cinema), a prostitute with a heart of gold, eventually helps him get his poems published. The music was composed by S.D. Burman. With the commercial success of thrillers like Baazi, Jaal, Aar Paar and C.I.D. as well as comedies like Mr. & Mrs. '55, Guru Dutt and his studio were financially secure and established. From 1957, he could now make movies he really wanted to make, including Pyaasa. In 2002, Pyaasa was ranked at #160 on the Sight & Sound critics' and directors' poll of all-time greatest films. In 2005, Pyaasa was rated as one of the 100 best films of all time by Time Magazine, which called it "the soulfully romantic of the lot." Indiatimes Movies ranks the movie amon
Read more

DO AANKHE BARAH HAATH (1957) (All time Top 99 Best Hindi Films)

The film was inspired by the story of an ' open prison ' experiment  Swatantrapur  in the princely state of  Aundh  near  Satara . Now Swatantrapur is part of Atpadi  tehsil in  Sangli  district of Maharashtra. It was recounted by screenwriter  G. D. Madgulkar  to V. Shantaram.  In 2005,  Indiatimes Movies  ranked the movie amongst the  Top 25 Must See Bollywood Films . During the filming V. Shantaram battled with a bull and he hurt his one eye during the stunt, though his eyesight survived.   The film was later remade in 1975 in  Tamil  as  Pallandu Vazhga  starring  M.G. Ramachandran  and  Latha , and in 1976 as the Telugu  color film  Maa Daivam  starring  N.T. Rama Rao  and  Jayachitra .   Do Aankhen Barah Haath  makes you want to believe in the innate decency of all human beings. And for how many films can one say that? Despite being a message film, it doesn't lapse into dull didacticism but remains cinematically alive throughout. The scene where one o
Read more